Stained Glass and the British Gothic Revival

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Deals from a cultural perspective with issues such as increased interest in stained glass, how glass painters responded in setting up their studios, how they interacted with each other and their patrons. Includes chapters on the painters John Toms of Wellington; Joseph Bell of Bristol; and the Beer family of Exeter. Includes a chapter 'Revival of stained glass. How the market spread' [pp155-78]